“控制洞”展览现场 Installation view of “Control Cave” 此空间中的循环音频 https://vimeo.com/user86152455
Skin Reaction榕树
2024
UV print on light panels UV 印于无边发光板
Size variable, 17 in total 尺寸可调，共17个
Skin Reaction皮肤反应
2024
Laser carved mirror 激光雕刻镜面
60 × 27 cm
Canary off the Mine离开矿井的金丝雀
2024
Giclée print on HahnemühlePhoto Metallil艺术微喷于哈内姆勒金属纸
20 x 30 cm
Control Cave
控制洞
In the project “Control Cave” (2024–), several tipping points between control and loss of control are superimposed on each other. Recordings and walls form the basis of this project. The regular sound of medical instruments in the recordings and the grey-green tones of the control room are part of the infrastructure that maintains the “normal” functioning of the system.
In the installation Banyan Tree, moss-covered panels reveal a more chaotic and vibrant natural system. In the deepest part of the cave, Canary Leaving the Mine is about to be buried, a creature that was once used as a detection device due to its vulnerability, and finally freed. Skin Reaction is a mirror in the shape of the bark of a bellflower tree, commonly known as the French sycamore, where humans and trees meet in a moment of similar skin reactions.
An anaphylactic shock patient awakens in the emergency room, and a recording of this scene loops continuously in this space.
The nurse asks, “Do you feel any pain?”
The patient replies, “I feel, normal.”
It is a confusing space, just like our experience in contemporary life.
This spatial project, which includes photography, audio, and installation, is still in progress and was first presented in a group exhibition at Third Street Gallery in Shanghai in 2024.
在“控制洞”（2024–）这一项目汇中，若干控制与失控之间的临界点彼此叠合。录音与墙面构成了这一项目的基础。录音中医疗仪器的规律声响、控制室中的灰绿色调，都是维护系统“正常”运作的基础设施的一部分。
在装置《榕树》中，长满青苔的面板展示了一个更为混乱且充满生机的自然系统。在洞穴的最深处，《离开矿井的金丝雀》即将被埋葬，这一曾因自身脆弱性而被用作探测仪器的生物终于获得了解脱。《皮肤反应》是一片悬铃木（俗称法国梧桐）树皮形状的镜子，人类与树木因相似的皮肤反应在此刻会面。
一位过敏休克患者在急诊室苏醒，这一现场的录音在本空间中不断循环。录音中，
护士问道：“你是否感到痛苦？” (Do you feel any pain?)
病人回答：“我感觉，正常。” (I feel, normal.)
这或许是一个令人困惑的空间，就像我们在当代生活中的经验。
这一空间项目包含摄影、音频、装置等，仍在进行当中，并曾于2024年在上海Third Street Gallery群展中第一次面世。仍是一个进行中的项目。